That Floating Excrement Was Far Too Symbolic! These Are the TV Letdowns of the Year.

As we reflect on the TV landscape of the past year, a selection of shows emerge not for their excellence, but for their spectacular shortcomings. From awkward sequels to bafflingly bad docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Burdened with dreadful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final series started, it seemed as if it had at last found its groove. Then came an installment all about Seema’s natural deodorant. No wonder the creator declared this would be the last series. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers certainly found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's problems. The subject of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the problems. The hilariously leaden writing? The tedious veneration of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt borderline malicious? Suffice it to say “each and every one” and never speak of this series again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney picaresques which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as intentional provocations. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this documentary series opted not to explore them. Instead, the viewing was like consuming a sales catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual exploits as she undertook her biggest challenge yet. What on earth would possess her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Pamela Ross
Pamela Ross

Elara Vance is a visual artist and photographer with over a decade of experience, specializing in light-based art and experimental photography techniques.